gurtar

ANTONIO VIVALDI
(Venezia 1678 - Wien 1741)
CONCERTO
RV93
con 2 Violini Leuto, e Basso
Chitarra arr. Vladimír Váša
based on Fabio Rizza urtext edition
Tuto kytarovou úpravu slavného Vivaldiho koncertu jsem vytvářel pro své studijní účely a z důvodu,
že jsem shledal stávající volně přístupné kytarové úpravy tohoto díla příliš odlišné od originálu. Při
úpravě jsem vycházel zejména z urtextové edice koncertu, kterou sestavil Fabio Rizza.
Horní hlas této úpravy zcela odpovídá loutnovému partu z Fabiovy edice, s výjimkou taktu 59, kde
považuji za vhodnější (a je to běžnou praxí) hrát Cis na místo původního E (místo je označeno * ).
Basový hlas je kompilátem z níže uvedených zdrojů a mých vlastních nápadů. Účelem nebylo
vytvořit vlastní originální úpravu, ale maximálně se přiblížit k Vivaldiho originálu.
Vladimír Váša
I made this guitar arrangement of the famous Vivaldi's concert for my own study and for the reason,
that free available versions of the guitar arrangements of the piece differ from the original much. By
amending of the piece I based upon the urtext edition of the concert by Fabio Rizza.
The high voice of the arrangement completely equals of lute part from original (Fabio's urtext), except
note C# in bar 59. Original note is E, but it is common, to play C# here (note is marked by * ). Bass
voice is a compilation of the noticed resources and my own ideas. I didn´t have an aspiration to create
my own new version, but to make a version, which is mostly closed to the original VIvaldi's piece.
Vladimír Váša
Použité zdroje / resources:
1. RIZZA, Fabio. Concerto RV 93, con 2 Violini Leuto, e Basso, Del Vivaldi: Urtext edition by
Fabio Rizza. 2000. Dostupné z / available from: http://seicorde.it/music/
2. ELLIS, S. S. Lute Concerto in D major, RV 93 (Vivaldi, Antonio): For Guitar, Violin, Viola and
Continuo (Ssellis). 2010. Dostupné z / available from:
http://imslp.org/wiki/Lute_Concerto_in_D_major,_RV_93_%28Vivaldi,_Antonio%29
3. ASPIO DE JOSE. Concerto RV 93 (Vivaldi, Antonio). Ručně psaný přepis od neznámého pisatele
/ handwritten sheet by an unknown writer.
4. Mé vlastní návrhy / my own ideas.
Concerto con 2 Violini Leuto, e Basso
RV93
I.
Antonio Vivaldi (1678 - 1741)
arr. Vladimír Váša
[Allegro]
D
Chitarra
A
D
       
  
  



A
D
      
  




      



f
D

mf
Hmi
Emi
A
D
                          
 










                  
    
 
         
Cmi
C7
F
D
Gmi
E7
A
8

 

f
D
A
Dmi
D
A
Dmi
A



            

 
   



4
Dmi
A
p stacc.

                
  





D
G
A
D
A
A
F#mi
                            
            




 





  



  
12
4
1
3
mf tempo
Hmi
Emi
D
E7
A
                        








16
2
3
A
E7
A
      

   

         
 
 
1
A
mf stacc.
E7
A
E7
A
   
                            

  

       

 
 








20
f
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
3
A
E
A
E
A
E
V.
    
      


 









    
  

      



  

  

24
f
VII.
IX.
      

28
F#7
Hmi
F#7



  
 
33


IV.
F#mi
C#
     


Hmi
VII.

 

1
VI.
F#mi
C#




F#mi
F#7

 


Hmi





VII.
                 
 













1
4
4
1
2
2
1
4
1
4
1
4
1
1
2
1
1
1
3
3
1
3
3
1
1
mf
VII.
VI.
D
II.
A
       
          









  

   
   

  

   

38
1
4
2
2
2
0
1
1
D
D
A
Dmi A
Dmi
A
III.
Gmi
Dmi
C
                                           
   
 



   
   
 
42
1
1
3
4
4
3
3
3
1
F
I.
B¨
Emi
A
Dmi
D
Gmi
E7
A
A7
                                  
 

        





46
4
3
2
1
4
1
2
D
A
D
A
D
A
D
A
D
A
D

                                  
     
  







49
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
4
II.
Largo


                                

 








1
Chitarra
2
1
2
4
1
4
2
1
2
4
0
1
2
3
IV.
II.
IV. V.
1
1
IV.
4
1
1
4
2
4
                                                 
 











54
4
4
2
4
4
2
1
4
4
2
4
2
3
mf
p
3
1
1
pp
mf

*
57











   
      

    










 







 
II.
V.
IV.
1
1
4
4
2
2
4
3
1

f
II.
V.
II.
 
   
           





   
 







2
60
4
4
3
3
4
1
2
4
4
2
1
1
4
1
4
1
2
3
1
3
1
1
VII.
VII.
II.

62



                    



   

1
1
3

           



1
1
4
3
1
1
V.

 


   
                    

      


 












1
64
2
4
2
1
4
2
1
3
1
4
3
1
3
2
1
4
1
3
4
2
1
3
1
1
4
2
1
1
1
0
2
0
2
1
2


                         
                 






  
67
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 

5
III.
Allegro
V.
             
 
m
1
p
3
Chitarra
i
3
1
1
1
3
1
      

1
3
1
1
3
1
3
1
3
3
1
3
f
V.


1
III.
II.
                                    

71
3
1
3
III.
3
1
4
3
4
3
V.
3
3
III.
3
1
3
V.
3
4
1
3
III.
3
4
3
3
V.
3
3
III.
1
2
III.
2
2
3
1
2
II.
V.
1
3
2
3
2
2
2
                                  

74
3
1
3
3
1
3
1
3
1
3
3
3
1
3
1
3
3
3
1
3
1
3
3
3
1
3
3
3
1
3
2
mf
(VII.)
III.
V.
V.
                                   



77
3
2
3
3
2
3
3
1
3
3
1
3
p
2
m
3
i
3
1
1
1
3
2
1
3
1
1
III.
3
1
3
4
3
3
4
3
2
II.
                                  


 
80
1
1
  
   
83
2
1
1
2
1
3
1
1
3
1
1
1



 


2
1
1
2
1
3
1
1
3
1
1



1
1
1
 


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1
1
1



 

2
1
1
2
1

6
II.
VII.









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