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Transkript
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71 The Phantom of the Opera Moderato & 4 ä b Ïj Ï Ï b Ï Ï Ï Ï b 4 308 ?4 4 Ï Ï Ï. Ï Ï Ï. ä Î ä Ï . Ï J Ï Ï Ï bÏ bÏ Ï Ï Ï Ï Ï Ï ä J Ï Ï Ï Ï Ï Hns /V l—.i (’slo appears p-t se objev’ m‡ kusof (BUQUET in BUQUET, Box Five,kter* a length tkaniny a kusand lanaajako.to servingjako as pl‡"0 a cloak piece fabric slou.’c’ 5A. V!STUP Scene 5a Allargando 312 1 & î ? Ï ä Ï. Ï j Ï Ï Ï Î bbb nw Tpt, Clt Ï Ï of rope pand.‡bskŽ laso. P)edv‡d’ se BALETKçM na the as the Punjab lasso. HE is showing dole off to BALLET jevi"ti/ GIRLS below on the stage level) Moderato Till ready Ï Ï Ï bÏ Ï Ï Ï bÏ Ï Ï Ï .. 4 Ï Ï Ï n Ï 2 .. Ï ä Î nÏ 4 J 4 Ï bÏ Ï Ï .. 4 2 .. 4 4 ww bbb w Till ready 3 b &bb 4 4 ~ ~~~ ~~~ 5 BUQUET (Last x.) .. ä j nÏ Ï Ï nÏ nÏ JAK yel PER- -low GA parch -MEN- ment JE Like ~~~ bb b 4 Harp ~~~~~~ ~~~ .. ~ ~ & ~ ~ 4 ~~ ? b 4 Ï b Ï Ï Ï Ï Ï Ï Ï Ï b Ï Ï Ï Ï Ï Ï Ï .. Ï b Ï bb 4 Ï Ï JE is - hisHO Ï Ï Ï .. 2 4 .. 2 4 Ï Ï Ï .. 2 4 /P)i p)edv‡d-n’ svŽ metody sebeobrany p)ed pand.‡bsk*m lasem vsune svou ruku mezi krk a opr‡tku a pak (Demonstrating his method of self-defence against the Punjab lasso, HE inserts his hand between his neck and the noose, and then pulls the rope taught. With a mixture of horror and delight, the BALLET GIRLS applaud this demonstration) laso napne. BALETKY jeho uk‡zce aplauduj’ se sm-sic’ hr/zy a pot-"en’/ 7 b & b b 2 n 4 4ä j nÏ Ï 4 PLE1. skin. b &bb 2 4 KDE A Mç black MêT hole NOS,serves JE great 4ä j nÏ Ï 4 ? bb 2 Ï b Ï Ï Ï 4 Ï b Ï Ï b 4 4 d Ï nÏ nÏ Ï $ER as Ï - theNç Ï Ï Ï nÏ Jç which - MA, ne PO- - ver KUDgrew. VêM. nose j nÏ Ï nÏ nÏ Ï Ï Ï. Ï Ï Ï Ï bÏ Ï Ï Ï Ï Ï Ï Ï Ï 7. Act I / Scene 5 72 The Phantom of the Opera Till ready 10 (Last x.) b & b b .. î ä n Ïj Ï Ï You be MU - b & b b .. # w w Sê - .. n Ï TE must V&DY Ï Ï Ï nÏ VE ST,E - al - ways on Ï HU your Ï Ï Ï Ï Ï B#T, NE guard Ï - or Ï BO VçS he will Ï Ï .. b n ww ? b b .. Ï b Ï b nÏ bÏ .. b Ï Ï Ï Ï Ï /Propadlo otev)e st)edn’ (‡st jevi"t-, kde se uk‡.e st’n FANTOMA, kter* se vyno)uje na scŽnu. BALETKY se chyt’ za ruce a vyd-"en- ut’kaj’ [Apry(. trapFANTOM, opens up centre stage, casting a shadow of the PHANTOM hepl‡"0 emerges. The GIRLS, hands, runAv"ak off kter* vede KRIST#N, up)e pohled na BUQUETA. Pak p)ehod’as sv/j p)es KRIST#N a spolulinking s n’ odch‡z’ ze scŽny. terrified. The PHANTOM, leading CHRISTINE, fixes Obr‡t’ hhis stare BUQUET. Sweeping his cape around CHRISTINE, p)edt’m, ne. odejdou, vejde GIRYOVç, kter‡ v"e sledovala. se naon BUQUETA/ GIRY has entered, observing. SHE turns on BUQUET] THEY exeunt. But before they go, GIR 12 b & b b nÏ CHY catch Ï - Tê you TêM with b Ï Ï nÏ nw SV#M mag LA -- SEM KOU - las ZEL his i - cal N#M. so b &bb ? bb Ï Ï NÏ Ï bÏ Ï Ï Ï Ï Ï Ï b b ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Till ready 15 b & b b .. Î GIRY (Last x.) .. Ï Ï Ï bÏ Ï Ï TEN, KDO V!E -CHNO VY -BRE Those who speak of what they b & b b .. Ï - Ï Ï Ï Ï Ï bÏ PTç, know, .. wwww ? b .. Ï Ï Ï Ï Ï Ï Ï Ï .. bb ZJI - STê PO - ZD", %E M"L find too late, that pru - dent wwww Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ML - #ET V#AS. SPê! si - lence is wise. wwww Ï Ï Ï Ï Ï Ï Ï Ï 18 b &bb Î Ï Ï Ï bÏ Ï Ï PA NE Jos -- eph BU Bu QUET,hold DOST U! - -quet your Ï Ï SLOV! tongue. !ç He - Ï d Ï Ï Ï Ï REM, KTE R" with V O - the #êCH heat Mç, will burn - you Ï Ï Ï. bw ä SPç - Lê eyes. VçS. of his b &bb b ww ? b bÏ Ï Ï Ï Ï Ï Ï Ï bb Ï Ï ä Î J î Dead Segue 7. Act I / Scene 5
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