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The Phantom of the Opera 34 I. D!JSTVê V"STUP (Z‡kulis’) 5. Act I / Scene/ 2. 2 (Backstage) AFTER THE GALA PO P)EDSTAVENê Reverse view of the stage. and we see CHRISTINE, from behind, taking her bows. Aplaus pokra&uje a my vid’me KRIST!N zezadu,and jak seBALLET ukl‡n’. GIRLS, from the wings, The house curtains close upstage Opona uzav#e &‡st CHRISTINE. jevi$t" a BALETKY kulis ahis nad$en" obklopuj’ KRIST!N. gush zadn’ around REYERp#ib’haj’ stiffly zgives approval. GIRY also appears. Obr‡cen%The v%hled na jevi$t". applause continues REYER rezervovan" projevuje svŽ uzn‡n’. Objevuje se rovn", GIRYOVç. GIRY : [To CHRISTINE] Yes, you did well. He will be pleased. GIRYOVç:[To /ke the KRIST!N/ Ano,And vedlayou! jste si dob#e. Onabude m’t radost. DANCERS] You were disgrace tonight! Such temps de cuisse! Such rondes de jambe! /k BALETKçM/ A vy! Vy jste we dnesrehearse. byly ostudnŽ! TakovŽ ãtemps de cuisseÒ! TakovŽ ãrondes de jambeÒ! Poj(te, zkou$’me! Te( hned! Come... NOW! /GIRYOVç dod‡v‡ v‡hu svŽmu proslovu svoucane. h*lkou.The Baletky za&’naj’ zkou$et v zadn’ jevi$t". GIRYOVç ud‡v‡ keeping tempo svoutime h*lkou. Variace cvik* [SHE emphasizes this with her BALLET GIRLS settle into&‡sti rehearsal upstage, GIRY pokra&uj’with b"hem herscŽny. stick. Variations of this continue throughout the scene. KRIST!N jde pomalumoves k p#edn’slowly &‡sti jevi$t", d‡le od BALETEK, zat’mco za&’n‡ b%t viditeln‡ jej’ $atna. CHRISTINE downstage, away from the DANCERS, as her dressing room becomes visible. MEG, kterou KRIST!N n‡sleduje. je KRIST!N na dosah Unseen by her,nevid’, MEGjialso movesKdy, away and follows her. dve#’ $atny, sly$’ hlas FANTOMA, kter% vych‡z’ jako by odnikud/ As CHRISTINE is about to reach the dressing room door, SHE hears the PHANTOM'S voice out of nowhere] 1 &b Free time U î U MEG Ï Ï Ï. j " Ï Î Ï BRA -Bra & b 4 b ww 4 U VO, Bra BRA-VO, BRA-VISSI- ma. - MO! - va Bra - vi - ssi va U b ww bw ?b 4 4 ä PHANTOM KRIS - tine. - T"N! Chris n " bb 6 8 U bb 6 8 KRIS-- tine. T"N! Chris bw U ä n U b ww bw KRIS-- tine. T"N! Chris PHANTOM sospirando U bb 6 8 [CHRISTINE bewildered by the voice] /KRIST"N je is hlasem FANTOMA zmatena) Adagio 4 MEG b Ï. Ï Ï &b 6 8 Ï PTçM SE T", world KDES Where in the j Ï TAK have Ï Ï Ïj Ï J DLOU -been HO hid BY--ing? LA? you Harp b . & b 6 ggg ÏÏÏ .. 8 ? bb 6 Ï . 8 Ï. gg ÏÏ .. Ï. gg ÏÏ .. . ggg ÏÏÏ ... Ï. Ï Ï Ï. TV+J-PRO-JEV BYL Real ly you were ggg ÏÏÏ .. g . ggg ÏÏ ... gÏ gg ÏÏÏ ... Ï. jÏ Ï Ï Ï. Ï Ï Ï SKV" L&. per -- fect. Ï © 1986, 1987 The Really Useful Group Ltd. International Copyright secured. All Rights Reserved. d 5. Act I / Scene 2 (Backstage) ä Ï Ï Ï. The Phantom of the Opera 8 &b b Ï. Ï Ï Ï j Ï I BYCH on -SIly P!ç wish ZNçT I LA, Ï Ïj Ï J Ï knew S K"M your SE 35 Ï. Ï Ï Ï. Use -- cret, #ê$. who new KDO is TE%this HLAS TV&J tu - - tor? $KO Lê? ggg ... b gg ÏÏÏ ... b & gg Ï . ggg ÏÏÏÏ ... g . . gg ÏÏÏ .. gg ÏÏÏ ... . ggg ÏÏÏ .. gg ÏÏÏ ... ? b Ï. b Ï. Ï. Ï. gg ÏÏÏ ... gg Ï. 11a Solo String Quartet b & b ÏÏ . Ï Ï Ï Ï. j 11b Ï ÏÏ . ? b b ÏÏ .. ÏÏ .. ÏÏ . . j Ï Ï j Ï Ïj Ï Ï. j ÏÏ Ï . 11c Ï ä . 11d Ï Ï. Ï Ï Ï Ï .. ÏÏ . . ÏÏ .. j Ï Ï Ï. Ï Ï Ï Ï Ï . . Con moto 12 CHRISTINE b &b Ï OT Fa -- Ï Ï CI ther SE once b & b . Ï Ï Ï j Ï Ï Ï. ZJE - VIL spoke of KDYS an ANan -D!L, gel, Ï Jç I Ï Ï Ï Ï Ï CHT!- toLAdream SET -he'd KAT ap SE used Harp + Strings ? bb ÏÏ Ï Ï ÏÏ Ï Ï Ï Ï Ï J + Flute Ï. ÏÏ ÏÏ ÏÏ ÏÏ . Ï ÏÏ ÏÏ . Ï Ï Ï Ï ä Î. Ï Ï .Ï Ï Ï . 16 b &b Ï ZPê Now b & b ÏÏ . Ï - Ï Ï Ï Ï VçM - LI as I TE!, TAK HO sing I can Ï nÏ Ï Ï Ï ? bb Ï Ï Ï Ï Ï. Ï J d j Ï Ï Cê - TêM, sense him Ï Ï Ï ON and JE I + Clt Ï - . Spear. NêM. Ï. Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï 5. Act I / Scene 2 (Backstage) Ï. ZDE, know ÏÏÏ ... ÏÏ Ï. jÏ Ï ÏÏ Ï Ï ÏÏ Ï ä Î. # Ï Ï . # ÏÏ Ï. Jç he's ÏÏ .. b Ï Ï Ï. bÏ Ï bÏ. bÏ Ï Ï The Phantom of the Opera Poco più mosso 36 b & b . 19 Ï. VêM. here, V Mƒ Here Ï Ï Ï j Ï Ï #ATN! in this RçD room, M! he N!% calls - Ï J j Ï Ï N! me VO - ly, Lç, soft ÏÏÏ . Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï . ggg Ï .. Ï Ï Ï Ï Ï Ï Ï . g Ï Ï Ï ÏÏ . Ï Ï Ï Ï g Ï ÏÏÏÏÏ Ï Ï g . Ï Ï Ï Ï .. Ï ÏÏ .. Ï. . .. ? b ÏÏ Ï Ï Ï Ï Ï g g g g g g Ï . . gg Ï b Ï . gg Ï gg Ï gg Ï . b & b ÏÏ .. ä. 22 &b b Ï. Ï Ï j Ï Ï Ï. some in - side V ò -- where KRY- TU SVƒM Î ä hid --ing. SCHO VçN. Ï. Some ZDç - j Ï Ï Ï Ï how I SE MI know B"T he's ZDE ÏÏ . Ï ÏÏ . Ï Ï Ï Ï . ggg Ï . ggg ÏÏ .. Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï gg Ï Ï Ï Ï Ï Ï g Ï .. Ï Ï Ï .. ÏÏ .. ÏÏ .. ? b b gg ÏÏ ... ÏÏ .. g g g g g g g . . gg Ï gg gg Ï gg gg Ï . b &b 25 b &b Ï STç al - - j Ï Ï Ï J LE ways SE with Ï. MNOU, me Ï Ï O 1êMthe- un M"M he, j Ï Ï Ï. DçL seen SKRY ge -- Ï ä T". nius! b Ï ÏÏ . Ï Ï g ÏÏÏ .. Ï Ï Ï & b g ÏÏ .. Ï Ï Ï Ï Ï Ï Ï . g g Ï Ï ÏÏ . Ï Ï Ï Ï g Ï . Ï Ï Ï Ï ÏÏ .. g Ï Ï Ï Ï Ï gg . Ï ÏÏ .. ÏÏ .. ÏÏ .. . ? b b g Ï .. Ï g g g g g g gg Ï . Ï Ï Ï gg Ï . gg Ï . gg Ï gg Ï . Ancora poco più 28 MEG b &b Ï I Jç Ï Ï watched your JSEM SE Ï face Dê Ï - from VA Ï - the LA b & b .. ? bb Ï d j Ï Ï Ï. Z shad P-êT -- ows Mê, Ï Ï Ï Ï Ï Ï Ï KDY%- ant TLESthrough - KAL all TI dist ÏÏ .. ÏÏ ÏÏ ÏÏ .. Ï Ï J ä Ï Ï Ï Ï Ï. WW Ï Ï 5. Act I / Scene 2 (Backstage) Ï Ï Ï CE the Ï - Ï L" ap Ï The Phantom of the Opera 31 &b b . Ï SçL. plause. Ï Ï Ï Ï. Ï Ï & # ÏÏ Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï . j .. ? b ÏÏ#.Ï Ï ä Î Ï b Ï. Ï. . JSOU aren't TVç. yours. b & b Ï. NE words - b & b ÏÏ .. Ï Ï Ï Ï Ï ÏÏ .. Ï Ï Ï Ï Ï Ï. WW ? bb Ï . Ï. bÏ. bÏ. 37 bb &bbb Ï & Ï J - Ï Ï Ï Ï Ï TAK dark- -Tƒ#, ness Ï Ï j Ï Ï ÏÏ Ï Ï Ï ÏÏ ÏÏÏ Ï Ï J Ï .. Ï ä Ï Ï Ï Ï Ï J CHRISTINE bb b b Ï . Ï Ï Ï b Ï Ï SLç grant Ï Ï Ï Ï Ï Ï - VU MI to me Ï Ï Ï Ï j ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ .. ÏÏ .. Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï Ï Ï ÏÏ .. ÏÏ .. j Ï Ï Ï Ï ÏÏ Ï Ï ÏÏ bbbbb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. j Ï Ï SVOU your DO glo - - P-EJ. ry. j Ï Ï Ï J AN -- gel D" -ofLI mu HUD - - sic, BY, An Ï. Ï TA the V!AK Yet Tempo 1 bb & b b b ÏÏÏ Ï d Ï Ï Ï Ï Ï VA the j Ï Ï Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï b b b b b Ï Ï VOD- guar CE - dian M)J, and b ? bb b Ï bb Ï Ï poco rall 34 bbbb Ï SLY !êM HLAS I - hear your TV"J, voice SLO in - bb PR) guide 37 Ï. MEG Ï Ï Who is KDO JE ÏÏ .. ÏÏ .. j ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï 5. Act I / Scene 2 (Backstage) Ï TEN this Ï Ï Ï Ï Ï AN - D!L, TENÉ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï An - gel, this The Phantom of the Opera 38 40 bbb Ï . b & b An AN Ï Ï Ï -- mu HUD -- gel- LI of D! bb & b b b Ï. Ï J ÏÏ .. bb b ÏÏ .. & bb HUD -mu Ï Ï ÏÏ Ï Ï ÏÏ ? bb b Ï Ï bb Ï Ï hide SKR"# j Ï Ï Ï Ï AN - - gel D! - of LI An sic BY, ÏÏ ÏÏ -- Ï. cret D! - and LI strange V TMçCH Ï. Ï Ï AN -se Ï Ï Ï. D! -and LI strange V TMçCH cret ÏÏ .. ÏÏ .. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï se AN j Ï Ïj Ï SVOU O -- ger, PUS$, no lon Ï Ï Ï ÏÏÏ ÏÏÏÏ J J SKR"# hide Ï Ï J lon O -- ger, PUS$, no SVOU Ï BY, sic Ï. Ï J ÏJ Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ .. ÏÏ .. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Poco più mosso 43 bb j &bbb Ï Ï Ï SKRY-T&. an - gel. bb & b b b Ïj Ï Ï Ï J 3 Ï Ï Ï Ï bÏ ä 4 ON He's SE MNOU I TE,. with me JE e - ven now. ä 3 Î. 4 Î RU Your nÏ - CE hands #Ï #Ï Î #Ï #Ï Ï JAK are nÏ #Ï KO - round Ï Ï Ï P ? b b b Ï Ï Ï Ïj ä ä bb Ï Ï Ï Ï 3 Ï Ï Ï Ï b ÏÏ Ï 4 Î J ä Flt nÏ Î 3 4 . . ä # Ïj Î TO It bb & b b b nÏ nÏ #Ï face K-ê Chris tine DA - BLE bb & b b b nÏ nÏ Î #Ï ? bb b bb d Clt . j #Ï LED. cold. JAK Your Flt . rit. . Ï nÏ it's Dç ä nÏ D! - nÏ Sê fright - ens Î Ï white. JSI. M!. me. Don't U% Ï nÏ #Ï Ï J ä . nÏ Î . nÏ Ï beSE Ï . 5. Act I / Scene 2 (Backstage) b 4 4 b 4 4 b 4 4 U Î. j nÏ Ï n ÏÏ # Ï ä J Dialogue 46 bb &bbb Î - LEM. me Strings Ï ÏÏ ÏÏÏ ÏÏ J bb &bbb j nÏ #Ï KROU All - a%ê Ï J SKRY-T&. an - gel. Î #Ï U nÏ fright NE -- ened. BOJ! #Ï U nÏ U . . & b 4 4
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© 1986, 1987 The Really Useful Group Ltd. International Copyright secured. All Rights Reserved.
Pro "C" Ukulele (g1-c1-e1
Jdou zástupy věrnych s jásotem a chválou / my též do Betléma pospíchejme. /
Vítejme Pána Krále andělského, / Ježíši zrozenému, /
Ježíši zrozenému, / Ježíši zrozenému zpívejme
Il Muto
motiv Ð ãJe zdeÒ. Znenad‡n’, jako by odnikud, sly-’me hlas FANTOMA.
The PHANTOM’s theme - “He's here” - begins to loom in.
Suddenly, from nowhere, we here the voice of the PHANTOM.]
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